|
|
|
|
|
The Bearing of the Cross
Painting ID:: 42432
|
Albrecht Durer
The Bearing of the Cross
mk168
woodcut
389x282mm
|
| |
|
|
|
|
|
|
|
|
|
Christ in Limbo
Painting ID:: 42433
|
Albrecht Durer
Christ in Limbo
mk168
392x280mm
1510
Woodcut
|
| |
|
|
|
|
|
|
|
|
|
The Visitation
Painting ID:: 42434
|
Albrecht Durer
The Visitation
mk168
300x211mm
|
| |
|
|
|
|
|
|
|
|
|
Joachim and the Angel
Painting ID:: 42435
|
Albrecht Durer
Joachim and the Angel
mk168
296x210mm
Woodcut
|
| |
|
|
|
|
|
|
|
|
|
The Birth of the virgin
Painting ID:: 42436
|
Albrecht Durer
The Birth of the virgin
mk168
297x210mm
|
| |
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
|
Albrecht Durer
|
|
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since. |
|
Related Artists::.
| CORNELIS VAN HAARLEM | Hugh Bolton Jones | Robert Cleveley | |
|
